Book chapter in Huang Zijin's co'edited, two volume series: 〈法律與帝國—對日關係中「正義」的掙扎（1944-1947）〉, 黃自進, 潘光哲編輯 《中日戰爭和東亞變局』》下冊,Taipei: Taiwan, 稻鄉出版社, 2018, p. 331-364.
The Dismantling of Japan's Empire in East Asia: Deimperialization, Postwar Legitimation and Imperial Afterlife
in Sven Saaler and Christopher W.A. Szpilman, eds., Routledge Handbook of Modern Japanese History, London: Routledge, 2018, p. 251-263,
“The question of complicity: Japan’s early postures toward war crimes and war responsibility in the aftermath of the Second World War”
in Kerstin von Lingen, ed., Debating Collaboration and Complicity in War Crimes Trials in Asia, 1945-1956, London: Palgrave Macmillan, 2017, p. 151-176.
“Heroes, victims, and the quest for peace: war monuments and the contradictions of Japan’s post-imperial commemoration”
“Ghosts of the Japanese Imperial Army: The ‘White Group’ (Baituan) and Early Post-war Sino-Japanese Relations”
“Imperial Cuisines in Taisho Foodways,” in Eric Rath and Stephanie Assmann, eds., Japanese Foodways, Past and Present.
inter-related issues – analyzing how Japanese rule was restructured in the postwar former colonies, dissecting the prosecution of lower-level Japanese war crimes, and resolving the conundrum of collaboration within the former empire. These problems are tied intimately together due to the transformation of postwar identity and colonial politics.
The purpose of this research is to center on the quasi unofficial, not the schools and educational content directly managed by the government, but that which existed outside the school, outside the daily purview and grasp of the government. In this regard, kamishibai, paper plays, fit the bill perfectly. Certainly kamishibai were censored, but the multiplicity of companies that produced the plays and the incorporation of traditional stories like Ōgon batto remained a potent force.