Host and narrator for three of the eight episodies from a documentary series on postwar war crimes trials of the Japanese, produced by the Shanghai Media Group. These were broadcast in Chinese and English on Chinese television, first in September 2020. Now available to view online or on DVD.
In the Ruins of the Japanese Empire: Imperial Violence, State Destruction, and the Reordering of Modern East Asia
In the Ruins of the Japanese Empire concludes that early East Asian Cold War history needs to be studied within the framework of post-imperial history. Japan's surrender did not mean that the Japanese and former imperial subjects would immediately disavow imperial ideology. The end of the Japanese empire unleashed unprecedented destruction and violence on the periphery. Lives were destroyed; names of cities altered; collaborationist regimes—which for over a decade dominated vast populations—melted into the air as policeman, bureaucrats, soldiers, and technocrats offered their services as nationalists, revolutionaries or communists. Power did not simply change hands swiftly and smoothly. In the chaos of the new order, legal anarchy, revenge, ethnic displacement, and nationalist resentments stalked the postcolonial lands of northeast Asia, intensifying bloody civil wars in societies radicalized by total war, militarization, and mass mobilization.
When Emperor Hirohito announced defeat in a radio broadcast on 15th August 1945, Japan was not merely a nation; it was a colossal empire stretching from the tip of Alaska to the fringes of Australia grown out of a colonial ideology that continued to pervade East Asian society for years after the end of the Second World War. In Overcoming Empire in Post-Imperial East Asia: Repatriation, Redress and Rebuilding, Barak Kushner and Sherzod Muminov bring together an international team of leading scholars to explore the post-imperial history of the region.
From international aid to postwar cinema to chemical warfare, these essays all focus on the aftermath of Japan's aggressive warfare and the new international strategies which Japan, China, Taiwan, North and South Korea utilised following the end of the war and the collapse of Japan's empire. The result is a nuanced analysis of the transformation of postwar national identities, colonial politics, and the reordering of society in East Asia. With its innovative comparative and transnational perspective, this book is essential reading for scholars of modern East Asian history, the cold war, and the history of decolonisation.
The Dismantling of Japan's Empire in East Asia: Deimperialization, Postwar Legitimation and Imperial Afterlife
Book chapter in Huang Zijin's co'edited, two volume series: 〈法律與帝國—對日關係中「正義」的掙扎（1944-1947）〉, 黃自進, 潘光哲編輯 《中日戰爭和東亞變局』》下冊,Taipei: Taiwan, 稻鄉出版社, 2018, p. 331-364.
in Sven Saaler and Christopher W.A. Szpilman, eds., Routledge Handbook of Modern Japanese History, London: Routledge, 2018, p. 251-263,
“The question of complicity: Japan’s early postures toward war crimes and war responsibility in the aftermath of the Second World War”
in Kerstin von Lingen, ed., Debating Collaboration and Complicity in War Crimes Trials in Asia, 1945-1956, London: Palgrave Macmillan, 2017, p. 151-176.
“Heroes, victims, and the quest for peace: war monuments and the contradictions of Japan’s post-imperial commemoration”
“Ghosts of the Japanese Imperial Army: The ‘White Group’ (Baituan) and Early Post-war Sino-Japanese Relations”
“Imperial Cuisines in Taisho Foodways,” in Eric Rath and Stephanie Assmann, eds., Japanese Foodways, Past and Present.
inter-related issues – analyzing how Japanese rule was restructured in the postwar former colonies, dissecting the prosecution of lower-level Japanese war crimes, and resolving the conundrum of collaboration within the former empire. These problems are tied intimately together due to the transformation of postwar identity and colonial politics.
The purpose of this research is to center on the quasi unofficial, not the schools and educational content directly managed by the government, but that which existed outside the school, outside the daily purview and grasp of the government. In this regard, kamishibai, paper plays, fit the bill perfectly. Certainly kamishibai were censored, but the multiplicity of companies that produced the plays and the incorporation of traditional stories like Ōgon batto remained a potent force.